MAC Encore Performance CLD
MAC Encore™ Performance CLD integrates cutting-edge LED technology with a proprietary and innovative light engine carefully engineered to generate pristine, full spectrum light with ultra-high colour rendition.
Main Features
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Light Source
468w |
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Light Output
11,600 |
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Zoom Range
12° – 48° |
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IP Rating
IP20 |
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Weight
31kg |
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The DMX PowerPort 375 is a compact and versatile power supply for the entire Martin Creative LED Video range, to be used in DMX-based applications. The DMX PowerPort 375’s versatile housing supports single- and dual-unit mounting in 19” racks, wall-mounting and truss-mounted hanging configurations. The robust connectors and built-in DMX/RDM compatible splitter facilitate easy daisy-chaining between units, while the local test-button provides quick system-check without running back to the console. Features: Rack-, truss- and wall-mountable Compact design DMX/RDM IN and THRU Built-in DMX/RDM splitter Hybrid power/data output port Local test button The DMX PowerPort 375 is compatible with these product families: Martin VDO Fatron Martin VDO Dotron Martin VDO Sceptron Martin VC-Grid Martin VC-Strip Martin VC-Dot Martin Exterior PixLine Martin Exterior Dot-HP Read more -
MAC Encore Two from Martin Professional redefines performance lighting for contemporary stage, broadcast, and touring environments. More than just a fixture, it’s a storyteller—breathing life into every scene, gesture, and emotion. Whether illuminating the subtle contours of a performer’s face or painting a set with true to life colour, MAC Encore Two captures skin tones and scenic detail with breathtaking realism, making it an essential fixture when every nuance matters. As a single, fully featured evolution of the Martin MAC Encore lineup, MAC Encore Two maximizes ROI and streamlines inventory management for installed and rental applications alike. It features a proprietary 760 W LED white light engine, producing 21,000 lumens—a 75% increase over its predecessor. This translates to advanced optical performance and a beautifully rich 5,600 K neutral white output. Despite its remarkable output, MAC Encore Two is quieter than MAC Encore, making it ideal for noise sensitive theater, broadcast, and corporate environments. Selectable output levels with noise optimisation ensure performance can be tailored to demanding acoustic conditions. Native CRI, TM-30, and TLCI of 90 (boosted to 95 with Spectrum Enhancement Filter)—MAC Encore Two’s enhanced CMY system produces saturated colours with superior depth, especially in amber and yellow, while maintaining pure white on the blackbody curve. The 1:10 zoom system (5°–54°) and 150 mm front lens deliver up to six times the intensity of MAC Encore at its narrowest beam, making MAC Encore Two a perfect choice for long throw applications. High lumen maintenance, razor sharp optics, and precise gobo framing ensure consistent, high definition projection. MAC Encore Two includes two gobo wheels (7 rotating and 11 static) plus a dual frost system available throughout the zoom range. Highly responsive and smooth pan/tilt movement and high resolution, low level dimming make it ideal as a key light or automated followspot. Despite its expanded capabilities, MAC Encore Two’s 36 kg footprint integrates easily into existing rigs, offering a best in class weight to size to output ratio. An array of control options includes DMX, Art-Net, sACN, and Martin P3. Whether the moment calls for powerful lumen output, precision colour rendering, or whisper quiet operation, MAC Encore Two doesn’t just light the stage—it elevates the story, helping creators shape atmosphere, emotion, and unforgettable experiences. Read more Main Features -
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