ERA 300 Profile
The Martin ERA 300 Profile is a very compact profile fixture with an extremely efficient 260W white LED engine built for the road and is ideal for small and mid-sized concerts and touring, live TV productions, corporate shows, cruise lines and houses of worship.
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Bigger and brighter than the MAC Aura, the PXL features significantly higher intensity and a tighter beam as well as a smaller face and less busy lens look compared to the MAC Quantum Wash. The Martin MAC Aura PXL adds to the industry standard line of Martin wash lights with multi-lens and Aura backlight technology. The MAC Aura PXLs bigger “bubbles” provide a more appealing look and beautiful wide wash fields. It is also the first wash light in the market to feature individual pixel control for main beam pixels and Aura back light with full control via DMX, Art-Net and sACN, as well as with Martin´s very own creative P3 video protocol. The compact size and low weight, trusted Martin build quality and feature set, and simple and clever setup and control options make the MAC Aura PXL ideal for rental customers and lighting designers working in concert/touring, TV shows and corporate, as well as customers supporting the high-end nightclub market. TRUE WASH LIGHT WORKHORSE From a tight, high intensity, narrow beam to beautiful wash fields, incorporated into a compact and lightweight package, the MAC Aura PXL suits every application. BUILT FOR PIXEL MAPPING With an all solid state colour mixing system, instant colour and intensity response, 19 individually controlled main beam pixels and also 141 individually controlled Aura backlight pixels, the MAC Aura PXL is a great choice for pixel-mapping. The colour palette can also be set to fully match the colour space of any other P3-driven product in the rig, allowing the fixture to fit in seamlessly. BRIGHT, VIBRANT COLOURS The RGBW system delivers very vibrant colours with a brightness only expected from much bigger fixtures. The calibrated colour system excels on subtle pastels and white tones, making any MAC Aura PXL in the rig match on the colour point when they must. P3 INCORPORATED On top of DMX, Art-Net and sACN, all features of the fixture can be controlled by Martin´s P3 protocol for setup and programming and allows a rig of fixtures to deliver cohesive content that blends together with video content on panels or creative LED products. You can even blend seamlessly between console and media input sources via the P3 mix channel. Read more Main Features
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Designed to fulfill the demand for a bright, compact, tour-worthy moving head, the Martin ERA 400 Performance CLD combines a feature-loaded and rugged, yet cost-efficient profile for entertainment and rental applications. Also available: ERA 400 Performance WRM > It features a highly efficient 300W cold white LED engine that produces a bright, sharp 6,500K gobo projection with a flat field. Additional key benefits include 1:3 zoom, electronic dimming and strobe, full CMY colour mixing and separate colour wheel, iris for beam adjustment and fixed and rotating gobo wheels, loaded with user-favourite gobos from the renowned Martin MAC range that include a wide variety of effects, especially when combined with the included rotating prism. The ERA 400 Performance CLD includes a full curtain framing system which offers lighting designers a high degree of flexibility to achieve precise looks on stage. When fully focused, gobos can be nicely framed with a soft edge, and each of the four framing blades can cross the entire beam independently for a full blackout. The entire system can rotate 90 degrees, allowing designers to direct light exactly where they want it to go and achieve unique movement effects not otherwise possible. Whether being used for small and mid-sized concert and touring, live TV productions, corporate shows, cruise line or houses of worship, the Martin ERA 400 Performance CLD is ideal for a long list of scenarios, requiring a truly versatile LED profile that offers near limitless design and usage potential. Features Bright 300 watt / 6,500K LED light source 10,000 lumen output Smooth electronic dimming and fast strobe effects Crisp optics with flat field 1:3 Fast zoom CMY colour mixing – Vibrant colour mixing with a superior palette of colours matching the MAC range 9-slot colour wheel –for added colour choice and split-colour effects Full Curtain Framing blades with +/- 45° rotation of the entire system for flexible shape generation 7 rotating/indexing gobos – All renowned Martin glass gobos 9 static gobos for great morphing effects Iris – Fast and tight iris 3-facet prism – Real beam separation with rotation and index control for dynamic effects Compact and low weight design Read more Main Features
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MAC Encore™ Performance CLD integrates cutting-edge LED technology with a proprietary and innovative light engine carefully engineered to generate pristine, full spectrum light with ultra-high colour rendition. Also available in MAC Encore Performance WRM The feature-packed moving head offers unparalleled 6000 K crisp, neutral daylight. Its advanced colour mixing system delivers the full palette from smooth and subtle pastels to rich and vibrant saturated colours. Moreover, it offers a fully variable colour correction to tungsten/orange. Features: Pure white LED engine with 6000 K CCT A flat field without colour temperature variation during zoom and dimming. Flicker-free operation—LED driver frequency suitable for all camera applications. Ultra-low noise—Combines convection and forced air cooling with user-selectable output vs. sound level control. Fully electronic dimmer/shutter control with various dimming curves and tungsten red-shift emulation. Vibrant CMY colour mixing with a superior palette of colours ranging from light and smooth pastel shades to rich, saturated primaries. Variable CTO—daylight to tungsten CCT control and expansion of the CMY palette that stays true to the black body curve. Colour wheel—6 interchangeable dichroic filters + open. 1:4 zoom—precise and fast, silent zoom with auto-linked focus. Four framing shutter blades with individual +/- 30° adjustment and entire system rotation of +/- 55° allow for high-precision cue repeats. Five rotating glass gobos with next to zero focal separation from the framing system. Animation wheel with continuous multi-directional rotation and indexing with variable angle, speed and direction. Animotion™ FX System—internal dimming effect macros for stunning 3D mid-air and projection effects. Precise and tight iris with adjustable dynamic effects. Soft frost—a light frost that leaves gobo artwork and framed images visible with a beautiful soft edge. Heavy frost available as an optional accessory. Super precise and silent pan/tilt movement and positioning due to 3-phase stepper motor technology and absolute position monitoring. Compact size—L: 452 mm x W: 480 mm x H: 733 mm (L: 17.8 in x W: 18.9 in x H: 28.9 in). Low weight—31 kg/68 lbs. Foam rubber (SiP) flightcase insert for secure shipment. WHY IS THE MAC ENCORE PERFORMANCE GREAT FOR TOURING? Check Out the In-Depth Product Video Overview Markus Kluesener, Martin Lighting Product Manager offers a deep-dive tour of the MAC Encore Performance CLD and WRM fixtures and discusses why these moving heads are perfect for a wide range of touring applications. Read more Main Features
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MAC Encore Two from Martin Professional redefines performance lighting for contemporary stage, broadcast, and touring environments. More than just a fixture, it’s a storyteller—breathing life into every scene, gesture, and emotion. Whether illuminating the subtle contours of a performer’s face or painting a set with true to life colour, MAC Encore Two captures skin tones and scenic detail with breathtaking realism, making it an essential fixture when every nuance matters. As a single, fully featured evolution of the Martin MAC Encore lineup, MAC Encore Two maximizes ROI and streamlines inventory management for installed and rental applications alike. It features a proprietary 760 W LED white light engine, producing 21,000 lumens—a 75% increase over its predecessor. This translates to advanced optical performance and a beautifully rich 5,600 K neutral white output. Despite its remarkable output, MAC Encore Two is quieter than MAC Encore, making it ideal for noise sensitive theater, broadcast, and corporate environments. Selectable output levels with noise optimisation ensure performance can be tailored to demanding acoustic conditions. Native CRI, TM-30, and TLCI of 90 (boosted to 95 with Spectrum Enhancement Filter)—MAC Encore Two’s enhanced CMY system produces saturated colours with superior depth, especially in amber and yellow, while maintaining pure white on the blackbody curve. The 1:10 zoom system (5°–54°) and 150 mm front lens deliver up to six times the intensity of MAC Encore at its narrowest beam, making MAC Encore Two a perfect choice for long throw applications. High lumen maintenance, razor sharp optics, and precise gobo framing ensure consistent, high definition projection. MAC Encore Two includes two gobo wheels (7 rotating and 11 static) plus a dual frost system available throughout the zoom range. Highly responsive and smooth pan/tilt movement and high resolution, low level dimming make it ideal as a key light or automated followspot. Despite its expanded capabilities, MAC Encore Two’s 36 kg footprint integrates easily into existing rigs, offering a best in class weight to size to output ratio. An array of control options includes DMX, Art-Net, sACN, and Martin P3. Whether the moment calls for powerful lumen output, precision colour rendering, or whisper quiet operation, MAC Encore Two doesn’t just light the stage—it elevates the story, helping creators shape atmosphere, emotion, and unforgettable experiences. Read more Main Features





