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The Sully 654SX is a 16° to 35° variable zoom profile range featuring a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter.Combining this new LED engine with the proven optics of the renowned 600SX Series, Sully profile offers accurate framing and superb gobo projection. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios, where “daylight” rendering is required. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning -
The Sully 653SX is a variable 28° to 54° zoom profile range featuring a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter.Combining this new LED engine with the proven optics of the renowned 600SX Series, Sully profile offers accurate framing and superb gobo projection. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning -
The Sully 653SX is a variable zoom profile 28° to 54° featuring a high-quality 115 W warm white LED source (CRI = 98) that delivers a first-class white light and an output that far exceeds 1000 W tungsten luminaires and nearly matches that of 1200 W tungsten models.Combining this new LED engine with the proven optics of the renowned 600SX Series, Sully profile offers accurate framing and superb gobo projection. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning
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The Sully 650SX Series is a variable zoom profile range featuring a high-quality 115 W warm white LED source (CRI = 98) that delivers a first-class white light and an output that far exceeds 1000 W tungsten luminaires and nearly matches that of 1200 W tungsten models. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning -
The Sully 651SX is a variable zoom 11° to 26° profile featuring a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter. Combining this new LED engine with the proven optics of the renowned 600SX Series, Sully profile offers accurate framing and superb gobo projection. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios, where “daylight” rendering is required. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning
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Sully 1156 is the perfect introduction to Robert Juliat LED followspots for discerning schools, amateur dramatics and smaller venues. Its optical excellence, ultra compact dimensions and low power consumption make it a reliable and easy to use luminaire. Sully features a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter. Controlled both locally and remotely by DMX, this little followspot is definitely accessible to beginners as well as skilled operators. Features: • Fully closing iris: removable for fast, easy replacement • Universal gobo holder: “A” size glass and metal gobo • Local control: light intensity adjustment through built-in potentiometer • Internal glass filter holder: long term use of durable coloured,dichroic or textured glass • Colour changer: 6-way, ‘push/pull’ colour changer system for simultaneous use of multiple filters • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing -
Sully 1156 is the perfect introduction to Robert Juliat LED followspots for discerning schools, amateur dramatics and smaller venues. Its optical excellence, ultra compact dimensions and low power consumption make it a reliable and easy to use luminaire. Sully features an exclusive 115W warm white LED source, able to deliver an output comparable to a 1000W tungsten unit, without generating heat, which also gives more comfort to the operator. Controlled both locally and remotely by DMX, this little followspot is definitely accessible to beginners as well as skilled operators. Features: • Fully closing iris: removable for fast, easy replacement • Universal gobo holder: “A” size glass and metal gobo • Local control: light intensity adjustment through built-in potentiometer • Internal glass filter holder: long term use of durable coloured,dichroic or textured glass • Colour changer: 6-way, ‘push/pull’ colour changer system for simultaneous use of multiple filters • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing
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Providing a multi-faceted solution in a compact package, Sully 305LF Warm White 3000K luminaire combines a high-quality 115W white LED source with a single 150 mm / 6” Fresnel lens, which can be easily changed for a Pebble Convex lens. It is especially valuable in multi-purpose venues and rental companies where the interchangeable lens can be put to full use. With uniform light and premium colour rendering, Sully Fresnel will easily substitute 1000W tungsten models. It is an affordable and lightweight unit with no comprise on build quality and overall performance. Features: Theatre front cassette: no light spill to distract audiences or performers Colour runners: double runners to hold accessories and colour filters Barndoor: unique rotating barn door with 4 individually rotating blades – makes even the most difficult angle possible Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Universal data control: compatible with DMX, RDM, ArtNet, sACN protocols Remote setup: all parameters can be adjusted by RDM protocol or by web interface PWM adjustment: choice of different PWM dimming frequencies – continuous mode available DMX: 8 or 16 bit dimming and strobe function Dimming parameters: choice of square or linear dimming curves Focus reference: index for easy focus reference Focus adjustment: smooth focus adjustment from rear Tilt reference on hanging yoke: index for rapid repositioning -
Robert Juliat has developed a new long-throw 800W LED followspot capable of matching the lumen output of an HMI 2500W Aramis followspot at similar angles. Thanks to its powerful LED engine, very narrow beam angle and long-throw capability, Arthur ensures invincible performances with a minimum output of 2000 lux at a distance of 40m (200fc at 130 ft), while offering premium light quality with a high CRI (>90) – an essential feature for a followspot whose main role is to shine a light on performers and showcase them in sublime fashion. With the choice of several ventilation modes, Arthur’s sound level is much quieter than any of its discharge rivals; it can be operated as easily in opera houses as on concerts. Features: Fully closing iris: removable for fast, easy replacement Universal adjustable gobo holder: “A” size glass and metal gobos Ergonomic dimmer control: one-handed dim, pan and tilt Local control: light intensity adjustment through built-in potentiometer Internal glass filter holder: long term use of durable coloured, dichroic or textured glass Individually removable colour frame: gels replaced easily while colour cassette remains in place Colour changer: 6-way, self-cancelling boomerang colour-changer USB connector: for connection of additional accessories Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Ethernet-DMX node: data IN through RJ45 connector; data OUT through DMX for daisy-chaining Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols Easy setup: locally and remotely by RDM protocol – integrated display DMX: 8 or 16 bit dimming and strobe function Parameters: adjustable curves and response through 4-button display with automatic light switch-off Control: local and DMX Dimming parameters: choice of square or linear dimming curves Easy focus reference: graduated scale on side of the unit; fast and easy refocusing Adjustable yoke: for optimum overhead positioning Fine balance: precision positioning and smooth operation even with the smallest movements Stand: perfectly weighted for maximum stability with smooth rotation for optimum performance. Easy set up; triple safety system for extra security -
Dalis 864 Footlight is a new 150W colour variation of the original Dalis 862 tuneable white footlight, designed for the creation of colourful upstage or downstage lighting. Featuring a 4-colour mixing system, it incorporates 48 patented asymmetric reflectors arranged in a double row, independently controlled. The Footlight batten is inconspicuous from the audience viewpoint to ensure it does not impinge on the stage layout. All controls and connections are located under the unit to maintain clean sight lines. Each unit also integrates four discreet red and blue ‘mark’ LEDs. They can be used as position markers or cue lights for the performers on stage, and also as safety indicators to mark the edge of the stage. Features: 4 red and blue coloured position lights: individual control of each light acting as a signal and marking safely the edge of the stage without disturbing the audience. 16-bit control of each colour: precision dimming on every colour Linear dimming curve: no colour fading during dimming Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Strobe: independent control of speed and duration Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols Easy setup: locally and remotely by RDM protocol – integrated display Control of up to 4 groups: precision lighting by separating the unit into 2 or 4 sections to target defined areas on stage Dimming parameters: choice of square or linear dimming curves Adjustable feet: can be installed directly on the floor; simple retractable foot mechanism to aid floor focusing -
Dalis 863 Access is a 150W LED batten designed to give small-sized venues or those with smaller budgets the first access to Dalis technology Sharing all the technology as the original Dalis 860 Cyclorama fixture, Dalis Access 863 features a four-colour mixing system and 24 of the patented Dalis asymmetrical micro-reflectors, but otherwise all the functionality and quality of the original.The batten delivers powerful, smooth coverage and a fair variety of pastel and saturated colours. It incorporates four coloured LED emitters (red, green, royal blue and warm white 2200K). Equipped with an advanced fanless cooling system, Dalis Access is equally perfect for cyclorama or footlight applications. Features: 16-bit control of each colour: precision dimming on every colour Linear dimming curve: no colour fading during dimming Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Control of up to 4 groups: colour variations with smooth transition by separating the unit into 2 or 4 sections Strobe: independent control of speed and duration Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols Easy setup: locally and remotely by RDM protocol – integrated display Angular sensor: tilt angle displayed for perfect alignment of all the units Auto Flip Mode: automatic flip over of the group sections depending on the positions of the unit for easy programming Dimming parameters: choice of square or linear dimming curves Vertical mounting possible: allows easy creation of vertical colour fades (horizontal lines) – for sunrise / sunset creations Adjustable feet: can be installed directly on the floor; simple retractable foot mechanism to aid floor focusing -
Lighting reinvented. Offering a true tunable white from 2200K to 6500K, Dalis 862S is a compact footlight which incorporates 24 patented asymmetric reflectors arranged in a double row. Each row can be controlled independently offering long or short throw capacities and creating upstage or downstage lighting. Set at the edge of the stage and not visible to the audience, Dalis 862S provides quality white light on performers from the front to the back of the stage. Each unit also integrates red and blue coloured position lights independently controlled, acting as a signal for the performers and also marking the edge of the stage.