Showing 121–132 of 163 resultsSorted by latest
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The dmXLAN switchGBx 18 has been specifically designed for live entertainment applications where a mixture of data protocols would overload and saturate commercially-available network switches. The ELC switches forms the backbone of the network distribution system. Easily create virtual networks for specific applications, like sound, video, lighting etc. Setup fast redundant loops with fault reporting. 16 Ethernet ports with speed up to 1GB, and 2 SFP cages for fiberoptic capable of speeds up to 2.5Gbps. The ethernet ports on the front panel support PoE and a RGB LED to indicate the status and the programmed VLAN. Easy programming on local colour touch screen or remotely with our dmXLAN V4 software. Features: Real-time backup loops Local colour touch screen and rotary encoder 8 1Gbps Network Ports with PoE (802.3af-2003 Standard) on the front with RGB LED 8 1Gbps Network Ports on the rear 2 SFP cages for Fiber Optic modules up to 2.5 Gbps Supported by dmXLAN V4 software Partition of the network into separate VLANs DANTE Compatible Can act as master for the dmXLAN nodeGBx 8
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The dmXLAN switchGBx 10 has been specifically designed for live entertainment applications where a mixture of data protocols would overload and saturate commercially-available network switches. The ELC switches forms the backbone of the network distribution system. Easily create virtual networks for specific applications, like sound, video, lighting etc. Setup fast redundant loops with fault reporting. 8 Ethernet ports with speed up to 1GB, and 2 SFP cages for fiberoptic capable of speeds up to 2.5Gbps. The ethernet ports on the front panel support PoE and a RGB LED to indicate the status and the programmed VLAN. Easy programming on local colour touch screen or remotely with our dmXLAN V4 software. Features: Real-time backup loops Local colour touch screen and rotary encoder 4 1Gbps Network Ports with PoE (802.3af-2003 Standard) on the front with RGB LED 4 1Gbps Network Ports on the rear 2 SFP cages for Fiber Optic modules up to 2.5 Gbps Supported by dmXLAN V4 software Partition of the network into separate VLANs DANTE Compatible Can act as master for the dmXLAN nodeGBx 8
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8 fully programmable DMX ports and a dual Gigabit port switch for slave operation to dmXLAN switch GBx. The node offers data splitting, merging, soft patching and backup when programmed using ELC’s dmXLAN software. All DMX ports are fully-isolated. Every DMX port has an RGB LED indicator which can be programmed via the dmXLAN software. The output of the DMX ports is measured continuously and detected changes and errors are appearing on the node’s display and in dmXLAN. The DLN8GBXSL can only be used as a slave to the dmXLAN switch GBx 10 or dmXLAN switchGBx 18. The DMX ports can be configured via the user interface of the switch or with the dmXLAN software. Up to 15 of these slave units can be connected to the switch, giving you a system rack with 120 fully programmable DMX/RDM ports. Features: Active output measurement RGB LED for every DMX port 8 Bi-directional DMX ports on the front panel, RDM compatible Supports sACN, Art-Net & Shownet Remote programming and monitoring and fixture parameter override DMX Input normal or backup DMX Output normal, HTP, Priority merging, Softpatch (channel by channel), programmable merging with DMX channel control Local control via colour touchscreen, rotary encoder/selector pushbutton Support for WYSIWYG, ESP, Capture
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DLN8GBX- 8 fully programmable DMX ports and a dual Gigabit port switch with user interface. The node offers data splitting, merging, soft patching and backup when programmed using ELC’s dmXLAN software. All DMX ports are fully-isolated. Every DMX port has an RGB LED indicator which can be programmed via the dmXLAN software. The output of the DMX ports is measured continuously and detected changes and errors are appearing on the node’s display and in dmXLAN. Features: Active output measurement RGB LED for every DMX port 8 Bi-directional DMX ports on the front panel, RDM compatible Supports sACN, Art-Net & Shownet Remote programming and monitoring and fixture parameter override DMX Input normal or backup DMX Output normal, HTP, Priority merging, Softpatch (channel by channel), programmable merging with DMX channel control Local control via colour touchscreen, rotary encoder/selector pushbutton Support for WYSIWYG, ESP, Capture
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Any Size. Any Aspect Ratio. Any Radius. Any Border. Anywhere. Whatever your projection screen requirements are we are eager to work hard developing and manufacturing a perfect solution. No standard standardised. Are you looking for a projection screen that has to meet some special requirements? Do you want a screen which has enormous dimensions, a curved shape, an extra wide border (or no border) and special mounting options? This is what we call a custom design projection screen and this is what we do every day. During the past 40 years of projection screen manufacturing we gathered quite a lot of experience in terms of what is technically possible and what should be done in a different way. Our custom design projection range is curve, desertscreen, surface with eyelets and fullwhite curve. Below are where custom design projection screens can go: Hotels Corporate buildings Museums Live shows & Events Home Cinema Themed attractions & Parks Simulation and training Configurator
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Fullwhite® is a projection screen which shows purely the picture. No borders. No depth. Selected by the leading media designers and architects. Variable projection screen dimensions in custom formats combined with best frame stability and accuracy. 5 Year Warranty included. Design your way of projecting. Have you ever thought of an invisible projection screen? No borders. No depth. Fullwhite makes the picture float in space. This pure design product is very popular for flying screen applications but features numerous different mounting solutions. Multiple Fullwhite® projection screens can also be connected to create projected walls or cubes. Fullwhite® can be made to measure since it is a modular system consisting of a basic frame that can be sized to any format by adding or removing plug in elements. This principle has been successfully used on our Vario® type mobile projection screens for many decades. Features: Modular multi-element frame made of special extruded and hardened aluminum alloy Special shape profile cross section with 45 degree edge Most popular design for architectural projection installation and flying projection screen Manufactured in various formats in custom sizes Configurator
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The most popular modular projection screen in the industry, VarioLock® is used by rental companies, hotels, and churches around the country. Its portable modular® frame and one-touch locking joints that maximise ease of assembly for stability and strength. Variety in use and flexibility distinguish the modular building block frame system VARIO – one basic frame can be used for a variety of different screen sizes. You only need the corresponding screen material and the necessary extension parts. Additional central supports allow image widths of more than 25 m. Stability, weight and transport volume have been optimised and are in perfect harmony. To ensure optimum packing for each size we have developed two types of profiles made of hardened aluminum alloy. The Vario 32 Kit consists of a multi-part, modular aluminum frame. Includes: 1 pair of T-legs, wing screws (for connecting frame and legs), hard gray case, black protective bag, and projection surface with 4“ wide black border and snaps fasteners. Configurator
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Dalis 864 Footlight is a new 150W colour variation of the original Dalis 862 tuneable white footlight, designed for the creation of colourful upstage or downstage lighting. Featuring a 4-colour mixing system, it incorporates 48 patented asymmetric reflectors arranged in a double row, independently controlled. The Footlight batten is inconspicuous from the audience viewpoint to ensure it does not impinge on the stage layout. All controls and connections are located under the unit to maintain clean sight lines. Each unit also integrates four discreet red and blue ‘mark’ LEDs. They can be used as position markers or cue lights for the performers on stage, and also as safety indicators to mark the edge of the stage. Features: 4 red and blue coloured position lights: individual control of each light acting as a signal and marking safely the edge of the stage without disturbing the audience. 16-bit control of each colour: precision dimming on every colour Linear dimming curve: no colour fading during dimming Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Strobe: independent control of speed and duration Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols Easy setup: locally and remotely by RDM protocol – integrated display Control of up to 4 groups: precision lighting by separating the unit into 2 or 4 sections to target defined areas on stage Dimming parameters: choice of square or linear dimming curves Adjustable feet: can be installed directly on the floor; simple retractable foot mechanism to aid floor focusing
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Dalis 863 Access is a 150W LED batten designed to give small-sized venues or those with smaller budgets the first access to Dalis technology Sharing all the technology as the original Dalis 860 Cyclorama fixture, Dalis Access 863 features a four-colour mixing system and 24 of the patented Dalis asymmetrical micro-reflectors, but otherwise all the functionality and quality of the original.The batten delivers powerful, smooth coverage and a fair variety of pastel and saturated colours. It incorporates four coloured LED emitters (red, green, royal blue and warm white 2200K). Equipped with an advanced fanless cooling system, Dalis Access is equally perfect for cyclorama or footlight applications. Features: 16-bit control of each colour: precision dimming on every colour Linear dimming curve: no colour fading during dimming Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol Control of up to 4 groups: colour variations with smooth transition by separating the unit into 2 or 4 sections Strobe: independent control of speed and duration Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols Easy setup: locally and remotely by RDM protocol – integrated display Angular sensor: tilt angle displayed for perfect alignment of all the units Auto Flip Mode: automatic flip over of the group sections depending on the positions of the unit for easy programming Dimming parameters: choice of square or linear dimming curves Vertical mounting possible: allows easy creation of vertical colour fades (horizontal lines) – for sunrise / sunset creations Adjustable feet: can be installed directly on the floor; simple retractable foot mechanism to aid floor focusing
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The grandMA3 full-size console is the flagship of the range. It offers the ultimate MA lighting control hardware and is designed for professionals that appreciate the hands-on flexibility that a no-compromise solution can offer. Founded on the legacy of the previous grandMA consoles, the grandMA3 represents a radical re-think of what’s possible from a lighting control platform. The elegant new system-architecture incorporates new fixture, feature and effects-handling at its very heart. The system features ground-breaking concepts from top industry visionaries, presented within a refined user interface, and is designed to make practical tasks more intuitive. The assignable level wheel section and a dedicated master playback group provide fingertip access to powerful functionality. Add the 120 physical playbacks and 16 assignable x-keys and the grandMA3 full-size console offers the most flexible playback platform MA Lighting have ever produced. The grandMA3 full-size console includes 20,480 control parameters as standard, ensuring that it is the perfect base platform for the world’s most prestigious entertainment lighting applications. The system size is scalable to 250,000 parameters with the use of additional grandMA3 processing units. Huge multi-touch screen real-estate provides instant access to programming tools and is fully configurable to suit individual needs. The three letterbox screens are context sensitive and dedicated to providing feedback and options for the grandMA3 playback and encoder hardware. The grandMA3 full-size is compatible with grandMA2 and grandMA3 software. The hardware is ergonomically optimized and can be considered a silent version by default. The grandMA3 lighting control consoles offer a fresh user interface with an optimized command section for intuitive and fast access. The grandMA3 consoles features dual encoders, which provide users with intuitive control of additional features and functions. Feature-mapping of the dual encoders is customizable, facilitating ease of use and faster programming. Long-life motorized playback faders are used across the entire grandMA3 console range. The faders incorporate a color-changing light pipe. All playbacks have direct access to button pushes as well as intensity and timing changes thanks to the new rotary RGB backlit encoders. The grandMA3 operating system is completely new and has been designed to feel more welcoming to fresh converts without alienating existing grandMA programmers. Extensive user feedback has been incorporated to ensure the new functionality address’ the real world needs of the MA family. The fundamental syntax of the grandMA2 has been preserved and extended to facilitate the new functionality. The grandMA3 software has an elegant new system-architecture incorporating new fixture, feature and effects-handling at it’s very heart. These ground-breaking concepts from top industry visionaries, are presented within a refined user interface, and are designed to make practical tasks more intuitive. Selecting fixtures, adjusting values, storing presets and playing back cues should all feel familiar, but improved in many details of the process. Better overview, faster access and more accurate information will create an improved user experience in programming and busking a show. Fixture information is now generic and allows simpler sharing of programmed data between fixtures. We also support the new GDTF (General Device Type Format) natively, allowing fixture manufactures to ensure their own fixtures are controlled as intended.
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The grandMA3 full-size Control Room Version (CRV) console is the flagship of the range but supplied without the monitor wing. Designed for use in control rooms where sightlines can be challenging, the grandMA3 full-size CRV features 3 additional external monitor ports to facilitate the convenient location of external 3rd party touchscreens without compromising the grandMA3 full-size console functionality. The assignable level wheel section and a dedicated master playback group provide fingertip access to powerful functionality. Add the 120 physical playbacks and 16 assignable x-keys and the grandMA3 full-size console offers the most flexible playback platform MA Lighting have ever produced. The grandMA3 full-size CRV console includes 20,480 control parameters as standard, ensuring that it is the perfect base platform for the world’s most prestigious entertainment lighting applications. The system size is scalable to 250,000 parameters with the use of additional grandMA3 processing units. The three letterbox screens are context sensitive and dedicated to providing feedback and options for the grandMA3 console playback and encoder hardware. The grandMA3 full-size CRV is compatible with grandMA2 and grandMA3 software. The hardware is ergonomically optimized and can be considered a silent version by default. The grandMA3 lighting control consoles offer a fresh user interface with an optimized command section for intuitive and fast access. The grandMA3 consoles features dual encoders, which provide users with intuitive control of additional features and functions. Feature-mapping of the dual encoders is customizable, facilitating ease of use and faster programming. Long-life motorized playback faders are used across the entire grandMA3 console range. The faders incorporate a color-changing light pipe. All playbacks have direct access to button pushes as well as intensity and timing changes thanks to the new rotary RGB backlit encoders. The grandMA3 operating system is completely new and has been designed to feel more welcoming to fresh converts without alienating existing grandMA programmers. Extensive user feedback has been incorporated to ensure the new functionality address’ the real world needs of the MA family. The fundamental syntax of the grandMA2 has been preserved and extended to facilitate the new functionality. The grandMA3 software has an elegant new system-architecture incorporating new fixture, feature and effects-handling at it’s very heart. These ground-breaking concepts from top industry visionaries, are presented within a refined user interface, and are designed to make practical tasks more intuitive. Selecting fixtures, adjusting values, storing presets and playing back cues should all feel familiar, but improved in many details of the process. Better overview, faster access and more accurate information will create an improved user experience in programming and busking a show. Fixture information is now generic and allows simpler sharing of programmed data between fixtures. We also support the new GDTF (General Device Type Format) natively, allowing fixture manufactures to ensure their own fixtures are controlled as intended.
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The grandMA3 light console is the work-horse of the range. It provides the perfect combination of power and physical size. The grandMA3 light console is suitable for all but the most demanding productions, making it probably the most versatile lighting console available. Featuring 60 physical playbacks, 16 assignable x-keys and a dedicated master playback section the grandMA3 light console provides plenty of playback options. Huge multi-touch screen real-estate provides instant access to programming tools and is fully configurable to suit individual needs. The two letterbox screens are context sensitive and dedicated to providing feedback and options for the grandMA3 light console playback and encoder hardware. The grandMA3 light console includes 16,384 control parameters as standard, ensuring that it is the perfect base platform for the world’s most prestigious entertainment lighting applications. The system size is scalable to 250,000 parameters with the use of additional grandMA3 processing units. The grandMA3 light is compatible with grandMA2 and grandMA3 software. The hardware is ergonomically optimized and can be considered a silent version by default. The grandMA3 lighting control consoles offer a fresh user interface with an optimized command section for intuitive and fast access. The grandMA3 consoles features dual encoders, which provide users with intuitive control of additional features and functions. Feature-mapping of the dual encoders is customizable, facilitating ease of use and faster programming. Long-life motorized playback faders are used across the entire grandMA3 console range. The faders incorporate a color-changing light pipe. All playbacks have direct access to button pushes as well as intensity and timing changes thanks to the new rotary RGB backlit encoders. The grandMA3 operating system is completely new and has been designed to feel more welcoming to fresh converts without alienating existing grandMA programmers. Extensive user feedback has been incorporated to ensure the new functionality address’ the real world needs of the MA family. The fundamental syntax of the grandMA2 has been preserved and extended to facilitate the new functionality. The grandMA3 software has an elegant new system-architecture incorporating new fixture, feature and effects-handling at it’s very heart. These ground-breaking concepts from top industry visionaries, are presented within a refined user interface, and are designed to make practical tasks more intuitive. Selecting fixtures, adjusting values, storing presets and playing back cues should all feel familiar, but improved in many details of the process. Better overview, faster access and more accurate information will create an improved user experience in programming and busking a show. Fixture information is now generic and allows simpler sharing of programmed data between fixtures. We also support the new GDTF (General Device Type Format) natively, allowing fixture manufactures to ensure their own fixtures are controlled as intended.












