AustraliaEntertainmentVenues

Sydney has a new theatre and by all accounts, it’s a ripper!

The Sydney ColiseumTheatre, West HQ in Rooty Hill gave its first public performance last week, unveiling a new, multi-purpose, 2000-seat venue that is a great addition to Western Sydney and the Sydney theatre scene generally.

Designed by Cox Architecture, the Sydney Coliseum is a part of the West HQ destination – the 8 hectare site of the iconic Rooty Hill RSL, who financed the new venue. Built-in just over two years, it’s an astonishing investment and achievement.

The lighting installation was successfully delivered by HF Event Services who were engaged by West HQ fifteen months ago.  Immediately, they questioned why so many filament-based theatrical lighting fixtures and dimmers were specified in the original design.

“The current trend is to move towards LED lighting for obvious reasons such as power saving, less maintenance required and no bulb changing,” commented Colin Baldwin, Managing Director of HF Events. “In our opinion, we created a more appropriate lighting specification that is nearly 100% all LED. The only exception being the followspots, which we planned to upgrade to LED next year when more powerful LED engine fixtures become available.”

It was decided to keep four digital dimmers in the specification, for the purpose of touring productions that may require traditional lighting fixtures, artists can be simply patched into the control system. The venue offers 368 stage lighting outlets from the power/dimmer room providing remarkable flexibility.

ELC active DMX units were chosen to provide sCAN protocol over Ethernet to all positions in the theatre. Eight ELC dmxLAN node GB units give the venue full capability of setting all the DMX universes around the venue. The ELC dmxLAN Node 3 truss mount with PoE gives the venue the capability to run nodes to any location in the venue.

Box booms positioned either side of the proscenium can easily be configured with multiple fixtures, however, currently there are eight ShowPRO LED FusionPar H XII per side as well as six ShowPRO LED Profiles per side.

“The ShowPRO LED Fusion Pars are punchy and have a very nice dimming curve,” said Colin. “In total, we have 48 of them around the stage and on the orchestra truss for colour wash.  In fact, you could fully light the stage just with the FusionPars.

“We have 34 ShowPRO LED Profile HP which are also on Bridges 1 and 2 and they’ve all been fitted with a general theatre warm, cool gel or open white. Then we added 34 x ShowPRO LED Fresnels with barn doors on the stage bars for lighting up and downstage, in a traditional theatrical manner.”

Ten ShowPRO LED CYC2 RGBAL, can be mounted on a fly bar or on stage from where they can provide considerable Cyc coverage thanks to the two adjustable heads on each unit.

For the all-important moving light choice, the decision was made to go with Ayrton fixtures chosen for their ground-breaking work with LED moving head fixtures. Ayrton fixtures combine compact size and weight, low power consumption, brightness, functionality, wireless DMX capabilities, and state-of-the-art engineering …… plus they look good too!

Ten Ayrton Levante-S compact wash lights that weigh only 22 kg each and deliver light output greater than 20,000 lumens while consuming only 300 W, were specified by Colin.

“The Ayrton line has really impressed us,” he remarked. “The Levante is a very punchy wash light and has great capability with gobos and beam shaping. It’s a marvel of technology that should keep the most demanding lighting designers happy. I’m hoping the venue will add more of these to their inventory next year.”

For a venue that is designed for an extremely wide variety of events, a stage lighting design that could cater to absolutely everything was necessary. The original spec called for Ayrton Mistral-S, which Colin had no hesitation including in the redesign.

“The Mistral is a superior, compact and light-weight LED profile that delivers a very high light output,” he added. “They also have amazing optics, great gobo selection, colour mixing and when partnered with the super-quiet Levantes, complement each other to provide a wide range of moving light effects and coverage. We hope all touring shows take advantage of them.”

A couple of Look Solutions Unique Hazer 2.1 units, chosen for the reliability and price, ensure all these aerial effects and gobos are seen in all their glory.

For control, there was no other option than MA Lighting with Colin recommending the new release grandMA3 to Bicci Henderson (Head of Technical Production at West HQ). As Colin pointed out, MA consoles are the most widely used lighting surface on the entire planet!

“Some people however questioned why I didn’t opt for a more traditional theatre lighting console, but I just referred back to the brief, which was to provide a lighting system suitable for a multi-purpose venue,” he added. “You really can’t go past grandMA consoles.”

Colin and his crew couldn’t fault the service and backup provided by Show Technology, particularly from Gareth Mealing who was their main contact on the project.

Featured Products…

Levante

The Ayrton S version can produce an ultra high output, generating metallic white light calibrated at 6500 K and is specially designed for stage applications. The TC version, geared for situations that require perfect colour rendition, has a native colour rendering index greater than 90 and high TM30 readings.

  • Levante – S (AYRLEV101)  Levante S Wash: 20,000lm, 6500k, CRI = 70 model
  • Levante – TC (AYRLEV100) Levante TC Wash: 15,000lm, 5700k, CRI = 90 model

dmxLAN SwitchGB X 18

The dmXLAN switchGBx 18 has been specifically designed for live entertainment applications where a mixture of data protocols would overload and saturate commercially-available network switches.

Mistral

A versatile, new fully equipped 300W spot luminaire in the same ultra-compact format as MERAK. Its new 13-lens proprietary optical system delivers a 8:1 zoom ratio with a zoom range of 6.7° to 53°. The optics, equipped with a 119mm frontal lens, can achieve an extremely uniform flat beam that can render images perfectly in all conditions and at any beam angle. MISTRAL comes in two versions, each to meet the specific requirements of lighting professionals:

  • Mistral – S (AYRMIS102): a 18,000 lm, 6500 K, CRI=70 model
  • Mistral – TC (AYRMIS100): a 14,000 lm, 5700 K CRI=90 model
grandMA3_light

grandMA3 light

The grandMA3 light console is the work-horse of the range. It provides the perfect combination of power and physical size. The grandMA3 light console is suitable for all but the most demanding productions, making it probably the most versatile lighting console available.

LED FusionPAR Q XII

Outdoor-rated Quad-colour (4-in-one), RGBW LED wash light designed for professional touring and production companies.
W-DMX receiver onboard

FusionPar H XII

Outdoor-rated Hex-colour (6-in-one) RGBAW+UV LED washlight designed for professional touring and production with W-DMX receiver onboard.

LED CYC2 RGBAL

New RGBAL optics technology, unique asymmetrical optics and 20% brighter than first generation CYC.

Look unique hazer 2.1

Unique Hazer 2.1

The UNIQUE 2.1 haze machine is the follow-up model of the original Unique and offers a variety of extra features, which open up new fields of operation for the user.